Every spring, an interactive installation takes over a high-traffic area in Montréal's Quartier des spectacles and sets a collective ritual. The installation offers a fresh look at the idea of cooperation, the notion that we can achieve more together than separately.

The result is a giant instrument made of 21 musical swings; each swing in motion triggers different notes, all the swings together compose a piece, but some sounds only emerge from cooperation.

This is truly lovely. I would like to see this someday, and getting back to Montreal is already on my life list. I think I would definitely want to try to get there while this is up some spring.

Yesterday, I finally got the opportunity to see Pina, which I have been waiting for since December. I was not disappointed in the least.

I saw the 2D version, so I couldn't say whether the 3D aspect was used effectively, but I don't really care for 3d, so that was a feature, rather than a bug.

Overall, I thought it was brilliant. I am not a dance connoisseur, modern or otherwise. I had not heard of Pina Bausch until I first saw the trailer for the film. That being said, it really spoke to me. The dance was a constant juxtaposition of the graceful and the awkward, the beautiful and the homely.

The version of The Rite of Spring that basically opened the film was a violently powerful display of sweat and dirt and fear. It set the tone for obvious effort and exertion.

One thing that struck a chord with me was how many of the movements and gestures reminded me of things I do when I'm feeling a little silly. Pina took that silliness and pushed it to the edge, stretched it, exaggerated it, and it became art.

The soundtrack was also a big winner for me. I think it was the use of Jun Miyake's "Lilies in the Valley" in the trailer that first grabbed my attention. It all really worked.

One more thing: I don't know much about Wuppertal, but man, I really want to ride on their tram now. Wouldn't you?

Wouldn't you want to spend some time walking in that shade?

And just in time for summer vacation. I will be getting there by way of the Monroe Street Library. How will you make your way to Bordertown? Here's a head start...

Greenwich Locksmiths in New York City looks like my kind of place.

December and January have been busy for me. Fun, exciting, and hectic. Also, as tends to happen in winter: cold, dark, and snowy.

Between traveling, getting a couple of colds, starting projects, and occasionally curling up in my cave to hibernate, I haven't posted much. I'd like to start making up for lost time.

Over Christmas, I took a trip out to the east coast, and got there just in time for the big December blizzard.

Also out in the blizzard was Jamie Stuart, "Idiot with a Tripod," who shot this excellent short video using a Canon 7D. It's a really nice piece of work. Even Roger Ebert loved it. Check it out yourself!

Idiot with a Tripod from The Mutiny Company on Vimeo.

So, it only took me most of a month to get my photos edited. Pretty soon I'll try to get a write-up of the event, but so much of it defied description. In the meantime, a picture is worth a thousand words...

Go take a look!

And now, a brief break from Film Fest talk to write about how I spent my Sunday and Monday.

I've been following along with the pre-production of Lineline Theater's upcoming stage adaptation of Neverwhere. So, when I heard that they would be doing an actual Floating Market for their annual benefit event and where looking for volunteers to help *be* the market, I signed right up. How could I miss something like that? I've been missing the "Below" since the end of Boston Between the Cracks.

Sunday afternoon, I drove down to Crystal Lake, IL where I parked my car and hopped the Metra the rest of the way to Chicago. (Have I mentioned lately how much I love riding trains?) There was a rehearsal/costume parade for all the volunteers at Lifeline's space from 3:00 to about 6:00. While there, I got a rough preview of what the set is going to look like, and I must say, I'm impressed.

Following the rehearsal, I took the CTA towards Grant Park, to find the friend I was going to stay with for the night. I was already regretting that I decided that my combat boots were too bulky to carry and that I couldn't fit a spare pair of shoes in my pack. Ow.

One delicious Thai dinner later and both of us were pretty much ready to crash for the night.

I had to work on Monday, but had gotten clearance to do so remotely. (Have I mentioned how weird it is to use my PC desktop from a Mac? Always have to remember to avoid keyboard commands.) This made it a day of wi-fi surfing via three different coffeeshops. And more walking. Oh, the walking. (Did I mention those damn boots?)

The day was gorgeous, and many picturesque opportunities presented themselves, but I weighed the originality of any of the possible photos vs. the amount of stuff I was lugging around with me and decided that none of them were worth the effort. Sometime, I'll make a trip just for photos.

Evening came and it was time to ascend to the 4th floor of the Chicago Cultural Center and get ready for the event. Luckily, I did have time to run around and take some quick photos of some of the people and the place. There were a number of people and things that I never got a chance to capture on film, and the overall quality of what I shot was very snapshotty, but it did make bringing the Canon worthwhile.

The event ran from 6:30 to 10 PM, but it rather flew by. There were some scripted elements, including a bit of stage fighting ("bodyguard auditions"). There were performances by The Space/Movement Project, The Afterlife, Read My Hips, Pyrotechniq, The Tubeway Rats, and The Beat. A couple of fortune tellers, a storyteller, and a caricaturist plied their trades while "Captain Destiny" encouraged folks to spin the "Wheel of Destiny" to win prizes. Meanwhile, the denizens of the Floating Market interacted with the patrons and exhorted them to bid on silent auction items. Everyone ate, drank, and were quite merry.

And then the Market was over and it was time to go home. At which point I discovered that I'd lost my socks somewhere. This was a bummer, as they were a pair of a really nice wool overknees. Alas! Fortunately, I still had the socks I'd worn in character, so I didn't have to go sockless in my boots. (Did I mention those boots?) Unfortunately, looking for them took time I didn't have, and I suddenly had 14 minutes to walk about a mile...at least a 17 minute trek, according to Google maps. Fortunately, a couple of fellow Denizens were leaving as I was and offered me a ride to the station. Hurray! I made the train just in time.

The ride to Crystal Lake was pleasant. The drive to Madison was a little less so, given that it was after midnight by the time I started driving. I got through with McDonald's coffee and BBC World News on NPR, plus a lot of opening windows and sitting forward. Also, my "check engine" light came on, which could be meaningless but gave an edge of stress to the proceedings. I can haz Madison-Chicago trane, plz? Thx.

All in all, it was a tiring journey, but well worth it. I can hardly wait to see the actual show when it opens.

I brought my camera along to Chicago with me, as it would have been silly not to. And yet I haven't taken a single photo so far.

Part of it is that I have been lugging all my stuff with me, both for work today and for the Lifeline event tonight. It makes stopping and pulling out the camera into a bit of a production. Also, since I have all my stuff with me, I want to avoid making myself an obvious target: "Hey! Expensive and portable stuff here!"

I have been keeping my photographer's eyes open, though. Looking for shots worth taking. I've learned over the years that just because something it interesting/pretty, it doesn't mean it will work in a photo or that I really *want* a photo of it. For example: I don't do sunsets. Sure, they are gorgeous, but they are so much better in person and the world has millions of sunset photos. Do we really need another? But if I spot something that looks like I could get an interesting and original shot, without putting myself at risk, I'm going to pull out the camera and give it a go.

In other news, I think it is time to migrate to a new coffee shop.